photography
Since lately…
Friday, June 25th, 2010 | arts | No Comments
we’ve been having some post on addictions and obsessions, let me tell you of the hot and cool pics I’ve ran into at Obsession Art. No, wait, let me show you one… Print sizes are available for all these glamourous pictures.
Nude Photography
Thursday, October 9th, 2008 | arts, sex-appeal | No Comments



When the new born art of photography made its first steps into the wild world of the 19th century, it soon became clear it was going to change the world forever. The way reality it reflected reality was something no one had never seen: real, strong, precise. That precise that it claimed different aesthetics and a different view upon the morality of arts. A painted nude is a painting, one can recognize it as artwork and place it somewhere faraway from the immediate, from excitement. Because it is a painting and only a painting, and no matter how accurate it would be, it will never look really real. But a piece of nude photography is something different. The person in the picture is right there, just the way she is in real life. Unbelievably similar. You can almost thing of touching her. You can desire her, fall for her, because you can tell she is real. And that, my friends, is a scandal. Or at least it was considered this way in the late 19th – early 20th centuries period. In France a whole bunch of nude photographies were called postcards – although it was pretty obvious they weren’t meant to be sent by mail – and, although, actually because, many men truly appreciated them, they got banned in some more religious, conservative countries of the time, such as the Ottoman Empire.
Later on, however, the works of artists such as E. J. Bellocq, Julian Mandel, A.H. Nicholls or Edward Weston brought into people’s attention the iridescent beauty of human forms, male and female alike, when “indecently” exposed. When there is truth, purity of thought and strength of expression one cannot make up any accusation of pornography. Art is having something to say and showing it indirectly, instead of saying. It is when any primal, basic, unrefined material gets past his usual borders and becomes light.